This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?
This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?

This is a publication about the five aspects of educational process of studying graphic design in Europe and it takes place in a garage, okay?

Terézia Denková- hlavný autor
Maris Nisu- spoluautor

Tento katalóg je výsledok výstavy grafického dizajnu, ktorá vznikla z vlastnej iniciatívy. Celý proces tvorby katalógu reflektoval limity a frustrácie študenta grafického dizajnu. Medzi tie najpálčivejšie patrí nedostatočný rozpočet, čo vyústilo do použitia typografie vytvorenej študentmi, a fontov, ktoré sú zadarmo a ktoré sa museli následne opravovať – presne a doslovne ako opravovanie vecí v garáži (predmetná výstava sa naozaj konala v garáži). Forma katalógu bola inšpirovaná formátom skicára, preto pôsobí viac ako kolekcia rýchlych nápadov než ako sofistikovaný katalóg výstavy. Voľba materiálu a farby bola založená na aktuálnych zbytkoch z tlačiarne, čo ako princíp poslúžilo aj pri plagáte výstavy a dizajne výstavného priestoru.

NCD ročník:
Národná cena za komunikačný dizajn 2020
NCD kategória:
Profesionálny dizajn

Súvisiace diela

Impermanence

Impermanence

Terézia Denková
Frances Stusche
Marian Essl
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Terézia Denková
Pavol Bálik
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